The electric guitar, a key element and powerful symbol of Congolese rumba

Kinshasa, October 27^th, 2025 (CPA) – The electric guitar has been recognized at several scientific meetings in the Democratic Republic of Congo (DRC) as an essential sound signature of Congolese rumba, one of the most distinctive elements of this musical genre, according to scientists in a video viewed on Monday at the CPA. « Congolese rumba relies heavily on electric guitars, which we have mastered with remarkable dexterity. Beyond the classic rock music patterns that generally use two guitars (rhythm and solo), Congolese rumba is distinguished by the introduction of a third type, which is the semi-solo guitar, » said Professors André Yoka Lye Mudaba and Manda Tchebwa in the video. ‘My wonder remains as intense as ever when I listen to our best guitarists play, legendary figures such as Nico Kasanda, Pépé Felly and Franco. The DRC can be proud of its rich musical tradition, carried on by a multitude of great guitarists. It is a living heritage, nourished by the constant pursuit of excellence,’ emphasized Professor Yoka. « The mi-solo is a subtle, intermediate guitar that must neither overshadow the soloist nor drown out the accompaniment. Playing it requires advanced mastery and great musical sensitivity. If others use it today, it is because they were inspired by us. This instrumental richness contributes to making Congolese rumba a living and dynamic heritage, at the heart of the national musical identity, » said Felix Manuaku, nicknamed  In a context where Congolese music is enjoying growing success, Professor Yoka has sounded the alarm to denounce a gradual relaxation of artistic standards, replaced by complacency born of easy applause. ‘The pursuit of excellence through hard work, which was once the norm, has gradually given way to a form of self-satisfaction generated by easy applause, which affects artistic rigour and overall standards,’ he said.